”I did not know Violet. I met her only twice, and by then she had become a galleon, no longer the pinnace of her youth, and I did not recognize in her sails the high wind which had swept my mother away […]. I did not know that Vita could love like this, had loved like this, because she would not speak of it to her son. Now that I know everything I love her more, as my father did, because she was tempted, because she was weak. She was a rebel, she was Julian [Vita’s alter ego], and though she did not know it, she fought for more than Violet. She fought for the right to love, men and women, rejecting the conventions that marriage demands exclusive love, and that women should love only men, and men only women. For this she was prepared to give up everything. Yes, she may have been mad, as she later said, but it was a magnificent folly. She may have been cruel, but it was a cruelty on a heroic scale. How can I despise the violence of such passion?”
2021年8月3日 星期二
《Portrait of a Marriage》Nigel Nicolson
總在深夜裡掉進別人的愛情故事歎為觀止。
'I think the secret of a successful marriage,' Harold said a little complacently, 'is the capacity to treat disasters as if they were incidents and not to magnify incidents into disasters.'
'Oh what a very unexpected letter to write to you suddenly. You won't like it, because you never like to face facts. 'Anyhow, I love you, much more than I loved you on October 1, 1913, and that is something more than most people can say after 45 years of marriage.'
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